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"Farmer": A Cape of Good Hop: the Mainstream Value Preference of Chinese Modern Society from Three Aesthetic Perspectives

「農民」:一個好望角——從三種審美視角中看中國現代社會的主流價值取向
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"Farmer": A Role That Is Constantly Being Narrated

「農民」:一個不斷被演述的角色
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"Shanghai Style" Art and Modernization

「海派」美術與現代化
20 Jun 1986
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'85 Art Movement (First Draft)

’85 美術運動(初稿)
Apr 1986
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A Few Questions About the History of Chinese Modern Art

現代中國美術史的幾個問題
1988
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A New Teaching Experiment: On the Basic Training of Abstract Forms

一個新的教學嘗試:淺議抽象造型的基礎訓練
Feb 1987
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A Speech Given by Li Xiaoshan

李小山發言
1988
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About Abstract Painting and Other Issues

抽象繪畫及其他
Feb 1985
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Acknowledgements of the All-China Oil Painting Conference

全國油畫藝術討論會注意事項
1986
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Agenda of the Research Symposium of Shanghai Biennale 1996

96上海美術雙年展學術研討會日程表
1996
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Agenda of the Research Symposium of Shanghai Biennale 1996

96上海美術雙年展學術討論會日程
1996
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An Inevitable Choice: Oil Painting and Modern Concepts

不可避免的選擇——油畫與現代觀念
11 Mar 1985
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Announcement of 2001 New York Ink Painting Conference’s Beijing Organising Committee

2001年紐約水墨藝術研討會北京籌備會通知
15 Dec 2000
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Anthology on the Teaching and Learning of Oil Painting

油畫教學論文集
Apr 1988
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Art After Modernism — Draft

現代主義藝術之後—草稿
1985
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Art As Culture: Thoughts on Questions of Art

作為文化的美術——關於美術問題的幾點思考
20 Jun 1986
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Art Research, 1987, No.1

美術研究(1987年第一期)
1987
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Art Towards Historicist Critique

進入歷史主義批判的藝術
1996
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Artistic New Wave at Sea Horizon: New Tendencies of Shanghai Painting — Manuscript

海平線的藝術新潮——上海繪畫的新趨勢 — 手稿
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Brief Comments on the Current Status of Art with Military Subjects

關於當前軍事題材美術創作的淺議
Mar 1985