This document is the penultimate manuscript of an essay that was published in the exhibition catalogue of Indian Summer.
The essay takes the 1989 exhibition 'Magiciens de la Terre' curated by Jean-Hubert Martin as a point of departure to elaborate on the critical breakthroughs in the history of exhibitions around the world since the 1980s.
Online
English
curatorial practice,  modernism,  postmodernism,  postcolonialism,  exhibition
2005
manuscript, 
review
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