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Amrita Sher-Gil—Introduction

Mar 1972
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Human Image in Indian Art

17 Dec 1972
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The Social Context of Contemporary Indian Art

Dec 1973
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A Perspective on Indian Art

26 Jan 1977
Art in These Dark Times
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Art In These Dark Times

12 Mar 1977
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A Case for the Study of Modern Art in Indian Universities

1977
Art and Internationalism
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Art and Internationalism

13 May 1978
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A Controversial Figure in Art Criticism

3 Sep 1978
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Harold Rosenberg: Art in America—An interview by Geeta Kapur

1978
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Rajesh Mehra

1978
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Realism and Modernism: A Polemic for Present-Day Art

Dec 1979 – Jan 1980
Modern Indian Painting A Synoptic View
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Modern Indian Painting: A Synoptic View

Oct – Dec 1982
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Changing Self-Image of the Indian Artist

1982
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Nalini Malani

1982
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Cocky Amalgam of Pictorial Traditions; Art of Dreamings and Defilings; and Honey and Larvae of Dreams

30 May 1983
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On the Vocation of the Artist

1984
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Baghdad Festival of Arts

Mar 1989
Place of the Modern in Indian Cultural Practice
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Place of the Modern in Indian Cultural Practice

7 Dec 1991
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The centre-periphery model or, How are we placed?—Contemporary cultural practice in India

1991
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When Was Modernism in Indian/Third World Art?

1993