'Spaces and Shadows focuses on the dynamic developments in the fine arts, film, music and literature in the countries of Southeast Asia and on artists’ working conditions there. It presents politically explosive perspectives and views on a complex – and often traumatic – history. The region, which includes cities such as Bangkok, Jakarta, Kuala Lumpur, Manila and Singapore, is on the move; which is also evident at the spatial, intellectual and spiritual levels. Its dynamic character stems from its rich variety of intersecting cultures. The clash between ever greater mobility and rigid social and political structures, on the one hand and the powerful desire to create free space on the other, have driven artists to develop their own subversive positions within their art. The programme shows not only these tendencies but also the darker side: SHADOWS stand for the terror that runs through the region's history, and the marginalisation to which its “minorities” have often been exposed.' - The House of World Cultures
Besides essays listed below, there are a number of photo essays accompanying reproductions of works of art, and excerpts taken from interviews with participating artists.
N.B. Sections on 'music' and 'literature' are not included in the cataloguing of the present catalogue.
Onsite
English, 
German
film,  group exhibition,  South East Asia
2005
248
3980885178
1
catalogue
Impression Management: Travel Notes on Singapore, Indonesia and Thailand - Shaheen MERALI
The Statements of Resistance are in the works, not in the words (in an interview with Shaheen Merali and Annette Bhagwati) - Kengsen ONG
Fun is the New Weapon (in an interview with Shaheen Merali and Annette Bhagwati) - Gridthiya GAWEEWONG, กฤติยา กาวีวงศ์
We resist becasue we have nothing: An interview with Philip Cheah - Shaheen MERALI
Whose terror is it anyway? Curatorial notes on the film programme - Philip CHEAH
What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.