'The 1960s was a time of incredible freedom and exploration in the art world, particularly in New York City, which witnessed the explosion of New Music, Happenings, Fluxus, New Dance, pop art, and minimalist art. Also notable during this period, although often overlooked, is the inordinate amount of revolutionary art that was created by women.
Into Performance fills a critical gap in both American and Japanese art history as it brings to light the historical significance of five women artists—Yoko Ono, Yayoi Kusama, Takako Saito, Mieko Shiomi, and Shigeko Kubota. Unusually courageous and self-determined, they were among the first Japanese women to leave their country—and its male-dominated, conservative art world—to explore the artistic possibilities in New York. They not only benefited from the New York art scene, however, they played a major role in the development of international performance and intermedia art by bridging avant-garde movements in Tokyo and New York.
This book traces the pioneering work of these five women artists and the socio-cultural issues that shaped their careers. Into Performance also explores the transformation of these artists' lifestyle from traditionally confined Japanese women to internationally active artists. Yoshimoto demonstrates how their work paved the way for younger Japanese women artists who continue to seek opportunities in the West today.' - from the back cover
Includes bibliographical references and index.
Onsite
English
art history,  feminism,  gender,  performance art,  diaspora,  Japan,  United States
2005
264
0813535212
2
monograph
Introduction
Chapter 1 - Historical Background and Common Issues
Chapter 2 - Performing the Self: Yayoi Kusama and her Ever-Expanding Universe
Chapter 3 - The Message is the Medium: The Communication of Art of Yoko Ono
Chapter 4 - Playful Spirit: The Interactive Art of Takako Saito
Chapter 5 - Music, Art, Poetry, and Beyond: The Intermedia Art of Mieko Shiomei
Chapter 6 - Self-Exploration in Multimedia: The Experiments of Shigeko Kubota
Epilogue
Into Performance: Japanese Women Artists in New York

Relevant content

Off the Shelf | A Seminar on Post-1945 Japanese Art
Reiko Tomii situates 1960s Japanese art in the broader history of modern and contemporary art
What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.