All Art to All People / Recent Works of a Wall Worker

Review of Roberto Chabet's exhibition, 'Russian Paintings,' titled 'All Art to All People / Recent Works of a Wall Worker,' written by Teresa Bargielska and published in San Juan in 1984.

Chabet's Russian Paintings is the first in a series of works that utilised plywood as a material and subject for painting. Referring to the painting reliefs of Vladimir Tatlin and other works by the Russian Constructivists, the series featured raw, unpainted plywood, cut in squares and strips, which were then arranged in a modular manner. The seemingly formal sequence and linearity are broken up by panels painted with a primary colour. Flatness is contrasted by lines of shelves that jut out from the wall supported by metal brackets. Box-framed objects provide finer hints — a pocket atlas spread open to reveal areas around Egypt, Europe, and the Middle East, where Tatlin traveled to during his days as a sailor, and a small paper boat made from a map.

In this review, the writer uses the Bolshevik Revolution as background material and introduction to Chabet's exhibition.

Access level

Online

practitioner
Language

English

Publication/Creation date

1984

Content type

review

Share
Citation
Rights statement

In Copyright

What does this mean?

This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

All Art to All People / Recent Works of a Wall Worker