According to Liu Jianhua, The Virtual Scene responses to the rapid development and globalisation that happened in China since 1990s, with Shanghai as the epitome, or case study. It builds up a cityscape made of poker chips, which represents a new mode of living in China. It represent people’s 'wisdom, impulse, rationality, thinking, culture, adventure, allocation, gaming, leisure, intensity, etc.'
(Quoted from the description given by Liu Jianhua to Asia Art Archive in 2013)
Alternative title
Xu Huan De Chang Jing
Access level
Online
author
Publication/Creation date
2005 – 2009
Medium
Mixed media
Content type
artwork documentation
The Virtual Scene, 虛幻的場景
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