'My interest is the relationship between public order and capital flow, and the ambiguous nature in the music of Shostakovich. All elements were modified through computer program: subtitles, usually appearing at the end of a film become here the centre of this work and have been translated one hundred times through Google online (the original manuscript was written by a financial reporter who shares the same name with me); lens, from 1 minute stretched to 1 hour to fit the length of movie (the street shooting security); Shostakovich seventh symphony "Leningrad", slowed down three times. This is an experiment about the possible relationships between title, lens and soundtrack; and a one hour long lens work as my tribute to classic movies.' (artist statement)

「我感興趣的是公共秩序與資本流動的關係，和肖斯塔科維奇音樂中的曖昧性。這些元素都通過電腦程序加以改變；只在電影結尾出現的字幕成為貫穿這部作品的中心，字幕經谷歌在線重複翻譯一百遍而成（原稿來自網上下載的，與我同名同姓的財經記者文章）；鏡頭從1分鐘拉長到1小時的電影長度（街上拍攝的保安）；肖斯塔科維奇的第七交響曲『列寧格勒』也放慢了3倍。這是一次字幕，鏡頭，音樂之間關係可能性的整體實驗；一部1個小時長鏡頭來對經典電影致敬的作品。」（藝術家作品自述）