This interview was conducted at Guangzhou Academy of Fine Arts on 26 October 2007.
Biography:
Shao Hong (b. Hubei Province) is an art historian and Professor of Art History at the Guangzhou Academy of Fine Arts.
In the 1980s, Shao studied art history with Professor Qi Ke in the Guangzhou Academy of Fine Arts.
Some of his notable publications include Art History and Its Significance (Yishushi de Yiyi) (2001), Art History and Its Conceptions (Meishushi de guannian) (2003) and The Extended Meaning of Qi Yun: Studying the History of Chinese Painting Theory (Yanyi de ‘qiyun’: zhongguo hualun de guannianshi yanjiu) (2005).
簡歷︰
邵宏,湖北人,現為廣州美術學院美術史系教授。
八十年代在廣州美術學院隨遲柯教授習藝術史,獲碩士學位。他的專著包括:《藝術史的意義》(與楊小彥合著,長沙:湖南美術出版社,2001),《美術史的觀念》(杭州:中國美術學院出版社,2003)及《衍義的「氣韻」:中國畫論的觀念史研究》(南京:江蘇教育出版社,2005)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents.
As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.
AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
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