This interview was conducted on 18 March 2009 at the Central Academy of Fine Arts, Beijing. For more information please visit the Materials of the Future website.

此訪談於2009年3月18日在北京中央美術學院進行。詳情請瀏覽此頁。


Biography:

Shao Dazhen (b. 1934, Jiangsu Province) is an art historian, art critic and Professor at the Central Academy of Fine Arts.

Shao studied art history at an art school in Leningrad (now St. Petersburg) from 1955 to 1960. After returning to China, he became a professor of art history at the Central Academy of Fine Arts in Beijing. Shao has also been the secretary of the Chinese Artists Association and is currently the Director of its Theory Committee.

In his roles as editor of both World Art (Shijie meishu) and Art (Meishu) magazines in the 1980s, Shao was an important figure in the development of contemporary Chinese art. Over the last decades, he has been researching the history of Western art and modern Chinese art and his published works include Brief Discussion on Modern Art (1982), Traditional Art and Modern Art (1983), Western Modern Art Thought (1990) and The Nude in Oil Paintings from China (1993).


簡歷︰

邵大箴，1934年出生，江蘇鎮江人。中國美術史學家，美術評論家。現任中央美術學院教授，及中國美術家協會美術理論委員會主任。

1955—1960年間，邵大箴赴蘇聯列寧格勒列賓美術學院（現為俄羅斯聖彼得堡美術學院），修讀美術史系。畢業回國後，在中央美術學院美術史系任教。曾任中國美術家協會書記處書記，及《世界美術》和《美術》雜誌的主編，是主催當代藝術發展的重要人物。
 
多年來，邵大箴從事西方美術史和中國現代美術的研究，部份著作包括《現代派美術淺議》（石家莊：河北美術出版社，1982）、《傳統美術與現代派》（成都：四川人民出版社，1983）、《西方現代美術思潮》（成都：四川美術出版社，1990）、《大陸人體油畫》（臺北：藝術圖書公司，1993）、《霧裡看花·當代中國美術問題》（廣西︰廣西美術出版社，1999）、《藝術格調·邵大箴論藝術》（濟南: 山東美術出版社，2002）及《美術：穿越中西》（北京︰首都師範大學出版社，2009）等。