Mon, 23 Oct 2017

Departing from Socialist Realism: April Photo Society, 1979–1981

Chen Shuxia

Tue, 1 Jan 2013

Image and Phenomena: The Development of Video Art in China, 1988 to 1998

Katherine Grube | Report from the 1st Edition of The Robert H.N. Ho Family Foundation Greater China Research Grant

Between Me and Mao: Li Zhensheng’s Photography of the Self, 1958-1982

Li Shi | Research Paper from the 5th Edition of The Robert H.N. Ho Family Foundation Greater China Research Grant

Canton Express: A Regional/Spatial Model

Duan Ziying | Research Paper from the 4th Edition of The Robert H. N. Ho Family Foundation Greater China Research Grant

From Creating Imagery to Bodily Presence: Performance Art Communities in Beijing and Chengdu in the 1990s and the Emergence of Performance Art Festival in China (1993–2003)

Liu Nanxi | Research Paper from the 4th Edition of The Robert H.N. Ho Family Foundation Greater China Research Grant

Heaven Is High and the Emperor Is Far Away: Recontextualizing Performance Art Practices in China During the 1990s

Petra Poelz | Asia Art Archive Research Grant 2017 Grantee

Image and Pidou(hui) as a Tale of Multiple “Show Trials” in China

Belinda He Qian | Research Paper from the 4th Edition of The Robert H.N. Ho Family Foundation Greater China Research Grant

Innovation and Failure in Art Markets: The Case of Sungari Exhibitions-cum-Auctions in 1990s Beijing

Svetlana Kharchenkova | Research Paper from the 5th Edition of The Robert H.N. Ho Family Foundation Greater China Research Grant

Resurfacing Hong Kong in Southeast Asia: Circulations of Photography from the 1930s to the Handover

Zhuang Wubin | Research Paper from the 6th Edition of The Robert H.N. Ho Family Foundation Greater China Research Grant

Rethinking “Human”: Pond Society, Automation Fever, and the Disappearance of the Laboring Body

Linda Huang | Research Paper from the 5th Edition of The Robert H.N. Ho Family Foundation Greater China Research Grant