The present publication is the first monograph of Chinese artist Wu Shanzhuan, providing a comprehensive review of the artist's involvement in various media over a period of 20 years, from 1985–2005. It also brings to light a prolific body of raw material including writings and sketches by the artist which have not been published before. Artist's biography and selected bibliography are included. With foreword by Norman Bryson.
此書是中國藝術家吳山專的首本專集,它概述了吳山專從1985至2005年的20年期間用各種媒介創作的體驗。此外,書內亦收錄了大批創作素材,以及許多從未發表的文章及畫稿。書內載有藝術家簡歷、參考書目及諾曼‧布萊森撰寫的序言。
Onsite
Chinese - Traditional, 
English
conceptualism,  performance art,  installation,  photography
2005
288
9889766426
1
artist monograph
Introduction: Wu's Question or the Questioning of Wu - QIU Zhijie, 邱志傑
Chapter 1: 75% Red
Wu Shanzhuan's Red Humour Series - GAO Minglu, 高名潞
Chapter 2: Supermarket Red
Chapter 3: Fill in ( )
Two Lifeworlds, One Double Question Man - LAU Kin Wah Jaspar, 劉建華
Chapter 4: Mono and Plural
Chapter 5: An Other
Wu Shanzhuan's Red Humour International and Inga Svala Thorsdottir's Thor's Daughter's Pulverization Service - Ursula PANHANS-BUEHLER
Chapter 6: More Pipes
The Politics of Plurality: Interpreting the Ideology of Wu Shanzhuan - GAO Shiming, 高士明
Chapter 7: Middle-man
Social Utopias by Two Islanders: A Conversation with Inga Svala Thorsdottire and Wu Shanzhuan - Martina KOEPPEL-YANG, 楊天娜
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